{"id":14,"count":26,"description":"The way I organize exhibitions emerged from my artistic practice, which was oriented towards contextualism and institutional critique in the late nineties. The boundaries between artistic and curatorial forms and gestures became blurred at some point. The projects for which I was responsible (often in a duo with Nikolaus Oberhuber) could be described as author exhibitions: Gestures of Disappearance (Leipzig 2002, Bergen and Krakow 2015), Participatory Minimalism (2009), Antirepresentationalism 1-3 (Berlin 2009\/2010), Believers (Berlin 2012) and others. But also when I'm further in the background, for example at gallery exhibitions of individual KOW artists, I have to understand why an exhibition is necessary and where it might want to go, even if it doesn't know that yet... \r\nExhibitions are an art in their own right and have to justify themselves anew each time. Some artists are outstanding exhibition makers. And sometimes I see things quite differently as a curator. Then forms and materials in the space can become the subject of real negotiation. Those are great moments. (Chto Delat, Time Capsule, 2015). Looking back, I have been involved in around 150 exhibitions so far, most of them projects by artists from the gallery in the KOW spaces.","link":"https:\/\/alexanderkoch.info\/en\/category\/exhibitions\/","name":"Exhibitions","slug":"exhibitions","taxonomy":"category","parent":0,"meta":[],"_links":{"self":[{"href":"https:\/\/alexanderkoch.info\/en\/wp-json\/wp\/v2\/categories\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alexanderkoch.info\/en\/wp-json\/wp\/v2\/categories"}],"about":[{"href":"https:\/\/alexanderkoch.info\/en\/wp-json\/wp\/v2\/taxonomies\/category"}],"wp:post_type":[{"href":"https:\/\/alexanderkoch.info\/en\/wp-json\/wp\/v2\/posts?categories=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}